Captures with style

Hi friends! I want to show you John Franke's photographs today. It's a real pleasure to see his galleries since it is as if he had captured the best of all the places where he has been and he has done it with style and a personal vision. As we have talked about before on this blog, as a good photographer, he has been attentive to everything that could come to surprise him making really amazing shots of what would have gone unnoticed by anyone else.

Colored pencils: The unjustifiably little admired way of expression

Surely we have all worked with colored pencils since this is practically the first thing given to a child start expressing him/herself. Perhaps that first contact of children has left an wrong impression, as it is a basic medium, we don't have to worry about how much water, oil, turpentine or other product to add, nor the drying time, nor so many other details that must be taken into account with other techniques to which we accede being already a little older. But, my dear friends, working with colored pencils is not so simple and the work that can be done with this medium goes far beyond what our nephews can do.

There is a whole spectrum, a range of works that can be done by the skilled and talented hands of those who know how to use that medium, which would really astonish us if we were only able to take these works to their proper level: the level of true artistic expression. This technique can be as realistic as working with oil and as abstract as working with acrylic, It only depends on the hands that perform the work. Personally, I admire artists who work with this medium, almost more than anybody they have be very clear what they want to show and shape, no mistakes are allowed since these are almost impossible to solve without spoiling the work.

This medium can show us the smallest details, or work with reinforcements of shadows, lights and contrasts, we can sail exploring all possibilities and these are, in truth, almost endless...

But words are insubstantial when it comes to talk about something visual, that's why I want to show you Maryann DellaRocco's artworks as an example, a talented artist who uses colored pencils for her works granting them all the expressiveness and emotion and even more that could be done with other mediums. As she says her work is an "emotional thing" and seeing her works they undoubtedly are the product of her heart and feelings, what I insist make the difference between artists. I'd love if you could visit her site: www.maryanndellaroccofinearts.com, where she tells us about her work, motivations and life and what could make us more understand her beautiful art. She also says that she enjoys capturing the joy seen through children eyes, which is very interesting since the vision of this artist has a very special load of innocence but not devoid of reality.

Let's enjoy her works clicking on the images below to enlarge them, that will make us know her better, as well as the wonderful range of artwork that can be done with colored pencils.

Find your style in photography - 8 - The right place and the right time

Hi friends!, here we are with "Find your style in photography" again, this time with an important tip that is: to be at the right moment at the right place.

As we have already talked about, there are too many photography styles and they all have their relevance. In this case, I imagine that usually happens to us of being specially looking for something that we have in mind and then we suddenly meet a different scene that captures our attention. No matters what we wanted, the composition we tried to work with or the previous idea we had, never let that new an unexpected capture go. We have (and need) to be really open minded with our camera, we never know when we're going to find something that could even be better than what we were looking for. An unexpected rain, a sudden flight of a bird or the feeling shown in a child's eyes.

We are surrounded by surprises and we just have to pay attention and be ready to shoot what comes to us. A good eye is the one that transforms a simple fact of life in an artwork, so don't wait for amazing things since simple ones make the difference sometimes. 

As an example of this, I want to show you Michael Hills' work that higlights for the spontaneity it reflects as if he always knew how to be at the right place at right time. Click on the images to enlarge them and know more about this artist whose works cover a wider variety than the ones shown here below.

When art reflects emotions

Hello friends! Today I want to talk about art, experiences and emotions. I think there is a great variety of artists, they are so varied as people are and, even when experts try to define and put them into categories, sometimes it is very difficult to reduce a style to simple words.

We have reached a point where it seems that art should only reflect those good and simple things of life, as if we had forgotten that we are something more than that, that we are made of experiences, emotions and feelings, and that it is these internal and immaterial issues brought to paper or canvas that really defines us as artists.

I have always admired those who have the ability to show in images what happens inside themselves or inside other people since they have the sensitivity of being able to appreciate things beyond the obvious. Either through colors, elements or lines used, these artists transmit us something different, something that comes from their own inner elaboration and often from their heart. What is an artist but who releases his/her inner questionings through a painting and allows us to see a personal own vision of the world through it? No matter how good you are with a pencil or a brush, if you don't put a little of your heart in what you do you only reproduce the evident.

We have Adina Art's works as an example of this. She, as an artist, offers us her idea about the facts of life showing us that a line is more than a line and that a color is more than that in what seem to be innocent compositions but that lead us to question ourselves about our experiences and feelings, yet without being exempt of great beauty. Adina does not delve into the drama, she uses the symbolic elements and leaves us enough freedom so that we can go further and reach our own conclusions.

I have chosen three of her works to show you, those that have personally been more representative to me, but it would not be fair that you only see these, as her work is more extensive and varied than what I can show in this article. So, I invite you to click on the images to really appreciate the work of this sensitive and great artist.

Find your style in photography - 7 - Luck or creativity?

Today I want to talk about Alan Brown's photographs which could teach us a lot about how to create good images. He seems to find beauty everywhere, do you think that he's a lucky guy or that he is a talented one? You know, sometimes one is lucky enough as to live in a paradise and have the opportunity to take good photographs, but if you think this you're wrong. You don't need to live in a wonderful place to make good photos and nothing assures that you would make them so.

Of course, Alan's photographs show us wonderful places but that's not all, he captures a special moment with a special distribution of elements and a special perspective among other details that make the image different from all that could have been taken in the same place. As he tells us in his bio: "I learnt quickly from the harsh critique of contest judges that great images are not taken, they are created, and that each image has its own story . This mantra has been a constant throughout my many years as an avid photographer." 

In the same sense, he's driven to create exceptional images, he's self demanding what leads him to produce excellent works. So, we can learn two different lessons through his work, the first one is that it isn't the same taking a photograph than creating one and the second is that if you don't have the strength to exceed the average expectations about a photograph your work will be very similar to everyone.

I invite you to click on the images below to enlarge them and know more about Alan Brown and his fantastic works that takes us to unimagined places that whisper stories. 

Find your style in photography - 6 - Make the Viewer to be There

Following with photography styles, as we have already commented, it's very important to find your own syle as a photographer, it isn't just a painters issue, as a proffesional you have to leave your mark on each of your photographs so that whoever sees them knows that image was captured through your camera and your eyes. 

There are hundreds, perhaps thousands, of styles with small differences between them. But, what is it that makes a photograph not only have its author personal impression but reach the viewer? Well, one of the answers would be to make the viewer like being in that place, convert the photo from a piece of paper to a trip, make feel the sensations and emotions that we ourselves have when capturing an image. It's difficult, isn't it?

First of all, we can't transmit an emotion that we don't have. If we go around with our camera and just shoot what we think it's nice to choose a good one later we can get some good pictures. But, if we go for what we want or if we go around and find exactly what we need, if we enter into communication with the environment and with what we want to portray, for example: an animal, if we get really involved with what we are capturing, then we get great photographs. However, even though I believe that this way of working can be learned, personally I consider it requires an innate personal condition of the photographer. We can all learn about everything, much more if we strive, but we also have personal skills that lead us to be better in one area or another. 

We have Carter Spade's works as an example of this. You feel close to the image as if you were there and as if you could touch it. As he says: "I want the viewer to feel the connection to the animal or place that I felt at the time that sparked me to take that photo. I try to find an angle that makes the viewers feel like they are seeing it for themselves.", and he always gets it. He's an animal lover (even his work is not limited to that), and we can really feel that those eyes on the image are watching us, and we can feel that connection of which he speaks about as if we were there. Therefore, although the technical and specific issues of photography are very important, not least is to convey feelings to the viewer. Click on the images to enlarge them and know more about Carter Spade and his wonderful style and photographs, you can also visit his site www.spadephoto.com .

Brushstrokes's Importance

I could have called this post "How to find your style in oil or acrylic...", but it's actually applicable for different techniques.

Artists sometimes think too much about brushstrokes, so much that they lose spontaneity, and it's not pleasant to see a non spontaneous painting, which has been too thoughtful, as if the hand had not known exactly what to do in each case. Others, try to make the brushstroke not to be noticed as if they were afraid of mistaking. All these is normal when we start to learn how to do things, but it's clealy shown in the final artwork.

Talking about this, there is a style that stands out by the force and the thickness of the stroke, without being impressionist, that plays with lights and shadows in such a way that the elements seem to shine from the canvas, almost as if it were a 3d effect. Obviously, only a very experienced hand can do this, taking the eye of the viewer to the whole work and giving it a relief that it still don't have.

It is surprising how this type of work, even without being realistic, may look like that providing an interesting visual game that leads us to complete the missing blur.

Therefore, it is important that we don't hesitate in every brushstroke, that our mental object can be represented by our hand beyond the hyperealist vision without losing the accuracy of what we want to show. Sometimes this takes months, other years, it all depends on how much we practice and how much we let ourselves go with regard to our own vision of things. We don't have to fear or hesitate when painting since sometimes it's better to make mistakes and learn from them than have lot of shy arts from which we learned nothing. 

As an example of this kind of artworks, I want to show you Samantha Black's ones. Currently, she basically works with oil and acrylic and she always knows how strong, thik, clear or dark the stroke has to be in order to give the viewer the perfect idea of what she wants to show. Click on the images to enlarge them and see her work on detail, you'll find she developed other styles with great skill to represent beauty as well. 

The world around us

Artists often paint what surrounds them, sometimes realistically and literally while other times they show that world adding imaginary or symbolic elements. Personally, I prefer the second case. 

It always amazes me the way in which an artist can take to the canvas certain symbolic elements in a practically unconscious way, and not just the elements but the colors. Obviously, this shows how wonderful the plastic arts are since we extract visions and experiences from our deep interior.

Today, I want to show you Maria Woithofer's artworks, I think this could help all those who love painting to improve their ability and know a bit more about what they do and why. She started painting with oils but she currently works with acrylics and watercolor as well. The case is that Maria had two vivid experiences about what was around her as she was born in Poland but moved to Greece, what is a big change for anyone indeed, and we can see that in her paintings, she tells us about her world with her own vision and portrays the wonderful nature for us. 

There are two main things which mainly call my attention about her works and this are: elements and colors. Regarding elements, as you can see in her "Summer" work below, for example, she adds symbolic concepts that takes us to a complete world in a painting. It's her idea of summer, her feelings and experiences playing together to make us have a real sense of what she wants to show us. Besides that, there is some kind of joy in her work. If we visit her gallery we'll see that she's also a great realistic painter as she shows in most of her works, but it seems as if she resigned some perfection to highlight "meaning" in each of her brush strokes, what is in fact contemporary art. 

Regarding color, this calls my attention as well since she has a great use of it linking colors with moods, seasons and personal visions adding, this way, another symbolic element to her works.

What can we learn about all this? Well, in your paintings:

- Put your personal touch.

- Use non traditional elements in a composition.

- Take into account that colors mean emotions.

- Each brush stroke is important.

- Let yourself go ...

Click on the images below to know more about Maria Woithofer, you'll enjoy it.

Find your style in photography - 4 - When Everything can be Beautiful

Hello friends! Let's continue with photography and talk about a different style.

Maybe you go around with your camera for hours looking for something worth to be captured, you get tired, you find think there's nothing and get stressed. Have you thought that, perhaps, you've not been paying real attention? Beauty is around us everywhere, the matter is that we have to see it with different eyes. Everyone knows that a flower, a puppy or a sunset is beautiful, but there are many other things that deserve our attention and that are beautiful for other reasons than simply visual.

Things tell us stories, everything you find in your way has something to say, an old building, an abandoned church, even old tools tell us about themselves. But, how do we make other people listen and find the beauty? Well, that's called "art". Art makes things talk by themselves and tell us their story, it gives real beauty even to a piece of wood, so sometimes it's not just about what we capture but how. 

There is something called perspective that we should take into account and which can bring a melancholic, sad, happy, romantic, etc. touch to our shots. Let's imagine an abandoned and ancient building, we have many ways to capture it and depending on that we'll get a result: time of the day, light, from where, close, far, perspective, clouded day, sunny day, among other possibilities. The matter is that we can find beauty wherever we go if we have a good eye, a good technique and artistic sense.

There some photographers who are special for that, they exactly know where, when and how. They don't need a beautiful thing itself to show beauty, they find and show it wherever they go and on whatever they capture. This is Lisa Wooten case, her shots capture beauty as she perfectly knows it is everywhere, and even when she is mostly a landscape photographer she gives us the fresh air of beauty, feelings and emotion on everything she captures. If you click on the images below you'll know what I'm about and you'll be able to know more about this fantastic artist. 

Find your style in photography - 3 - The Axis that Captures the Attention

Following the "Find your style in photography" issue, I want to talk about the importance of the axis (or point) that captures the viewer attention.

Some photographers have good works, but have a problem since they can't drive the viewer attention to a specific point in their composition. This is important both in fotography and in painting since if we don't get a certain balance the eye is lost in the set. I think I've talked a little bit about it before. No matter how beautiful a landscape may be, it can go unnoticed if we fail to create the imaginary lines that will take us to the spotlight. Sometimes it's an element (a boat, a tree, etc.), while sometimes it is simply where the horizon, buildings, a mountain or clouds intersect.

Generally, it is that balance and that point of attention which makes a good photo stand out over another. The eye needs to get out of the confusion, have a stimulus that takes it and direct it towards a point (not necessarily in the center) to appreciate the rest of the work. This phenomenon occurs in fractions of a second and it's not at the conscious level. Therefore, pay attention to balance / distraction, many times what could have been a fantastic capture becomes a common one for neglecting this.

As an example of this, I want to show you John Janicki's photographs, he's an incredible professional photographer and we can perfectly see what I'm talking about. He has a perfect sense of balance and  has the ability to take the viewer's eye exactly where he wants. Besides, he has a fantastic sense of composition that highlights the beauty of everything he captures. So, pay attention to his work to learn how to become a good photographer. I invite you to click on the images below to enlarge them and know more about this great artist.

Find your style in photography - 2 - Beyond Perfection

Some photographers show us reality in such an exquisite way that they make us wish things were like they show us. It is an elaborate hyperrealism that provides an added touch of beauty, which comes from their own eye and camera.

Let's see what are the most distinctive features of this type of work, regardless of the special talent of each artist:

1. The right moment: not any moment, just the perfect one.

2. The light that inspires exactly what we want it to: depending on the light we'll get different kind of emotions, sometimes we just find the proper moment for shooting while others we look for that.

3. Perfect element's combination: we have different elements or just one but, how and where do we place them? We'll get completely different results depending on the combination.

4. Perfect balance: balance is one of the most important things in photography, that makes the eye go in one direction or another,  gives relevance to the total composition or to certain elements and may change the general meaning.

5. Capture exactly what you want to capture: when we work outdoors it's possible that we capture what we can, but patient and an experienced eye take us where we and how we want. 

These simple tips usually make the difference between a simple landscape or a paradise one. Have you ever seen a photograph of an incredible place you've visited once but that appears to be more exciting and beautiful than what you've seen with your own eyes?, that's called "talent".

As an example of this, I want to show you Luigi Morbidelli's artworks. It's actually difficult to choose just one of his photograph as they are all beyond perfection. His work is error free and goes a step further by spicing the image with his own talent which adds beauty to everything he captures. Luigi is a landscape but also a food photographer and I can assure you that his photographs of food make what he shows more palatable than reality itself. If you click on the images you'll be able to enlarge them and see his complete gallery, which I strongly recommend. You can also know more about him at http://luigimorbidelli.wixsite.com/photography . Through his photos we can learn what  really a professional work is and how important are both talent and experience. Enjoy it!

Find your style in oil - 1 - Magical Spots

As there is so much to talk about finding a personal style, we better start using numbers and separate them.

Let's imagine that we are in front of a landscape, there are thousand of ways to paint it but each one will determine different reactions in those who see our painting. There is a particular style that is based on (larger or smaller) spots which determine the element's shapes, as well as lights and shadows. When the painting is seen at a distance it seems to have much details, however it is not like that since it is a visual effect. It is what happens with Impressionism, for example.

Is it easy to make this kind of artwork? Of course not. Unlike hyper-realistic work, the artist must have a special ability to know what the final result will be. How can we make that what seems to be a group of simply spots at close range could look like a perfect flower in the distance? We need to have a clear idea of what we are painting, and a great knowledge of form, light and contrast of the elements. We also need to get carried away, realizing that what we see with our eyes should not necessarily be reflected on the canvas as it is, since art painting is partly capture our own assessment of what surrounds us. Moreover, the human eye tends to complete itself the missing parts, and by doing this each observer will have a subjective view.

This is a very artistic style and plays with lights and contrasts that highlights the shapes more than others. It's neither easy nor simple, it's very complex, but if you like this kind of style it will be very pleasant to develop once you get the technique and ease. Anyway, remember that it is not only about what we like but what we feel when developing a style.

As an example of this, I want to show you Katerina Iourashevich Ricci's artworks. She developed a wonderful and lovely style that, at least to me, inspires some kind of tenderness as if what she paints had gone through her personal filter of beauty and vision of the world before capturing it on the canvas. Click on the images to enlarge them and visit her gallery, which will not dissapoint you.

Three important tips on photographs

Three important tips on photographs

There are lot of important issues regarding how to take a good photograph, but we'll focus on three of them right now.

The first one is the kind of shot we want to make. We can make a panoramic view, a close up, among others... Depending on this we'll give a different meaning to the photograph.

The second item is about composition and elements. We don't need many elements to compose a good photograph. Sometimes only a couple of elements give a better idea of what we are trying to express while a variegated and confusing set of elements only distract the attention.

The third and final. What is the focus or center of the photo? Whether dealing with just a couple of elemementos or more, we must define a spotlight, a specific point at which the view is directed. Otherwise we run the risk that the viewers disperse their attention.

As examples of these tips, I want to show you George Martinez's photographs, in which you will see how these principles are respected. George Martinez's photographs are totally correct and take us directly to the idea of what the artist wants to express, he doesn't distract the attention, he perfectly knows which is the best shot and he is able to express his idea with a couple of elements without disturbing the viewer's attention.

You can check his gallery to see more of his artworks.

Are we doing well?

Sometimes we wonder if we are doing well, we try to please others with our creations but not ourselves. We should try to enjoy what we do, despite it's just an artwork to sell or as an expression of our soul.

No matters what other people think, just be yourself.

Exclusion

Oil on canvas

40 x 60 cm

There are so many ways to feel onseself excluded, it's not necessary to belong to any marginal sector to feel like. It's enough to be different.

What is art?

It has been much disussed through the years about what is art or not. I think art is anything produced by men that brings you an emotion.

Let's start this blog with one of my pictures.

Inner World

Oil on canvas

50 x 70 cm

Sometimes we need to seclude ourselves and get away from the bustle outside. Real peace is just inside you.