When elegance is present in all its forms

Hi friends! It's a pleasure for me to show you Scott Kemper's photographs today. On many occasions, when I write about an artist, it isn't difficult to choose some of the works to show them here, but this time it has been really difficult to choose. The first sensation I had when I looked at Scott's galleries  was that of wishing to be in the places he portrays.

The images he captures, all without exception, take us to the right place with elegance and simplicity of the shapes. The elegance is detached in each of his works creating a perfect balance for the eye. The balance of the composition is subjugating, and the simplicity I mention is that which avoids recharged elements and leaves, simply, those most important ones, which really mean something relevant and that, somehow, being the only ones existing inevitably lead us to place with which we identify those parameters.

This artist plays with one or more elements, all important for what he wants to express, as if he had placed them there on purpose. We all know the icons' (and landmarks) importance, those which our mind knows and identifies with a particular place or situation. In his photographs Scott recreates this icons in an exceptional way and with sublime elegance, there is no noise or confusion that disturbs or distracts the viewer, in his photographs there is only what must exist.

On the other hand, the choice of colors is exceptional (remember that they are photographs and not paintings, so you have to get those colors that exist in reality). We all know the importance of colors as well, as each of them tells us something special and takes us to a different feeling. Well, there is no mistake in the colors, there is not a single color that leads to errors and makes us feel something different from what the artist has intended. As if we could imagine something and turn it into reality, Scott Kemper that sensation transmits in his photos.

And so, it was very difficult for me to choose only 3 of his works to show here since all deserved it, but you can see that by yourself clicking on the images, enlarging them and visiting his gallery. You can also visit his site http://kemperimagery.com. Enjoy it!

Find your style in photography - 6 - Make the Viewer to be There

Following with photography styles, as we have already commented, it's very important to find your own syle as a photographer, it isn't just a painters issue, as a proffesional you have to leave your mark on each of your photographs so that whoever sees them knows that image was captured through your camera and your eyes. 

There are hundreds, perhaps thousands, of styles with small differences between them. But, what is it that makes a photograph not only have its author personal impression but reach the viewer? Well, one of the answers would be to make the viewer like being in that place, convert the photo from a piece of paper to a trip, make feel the sensations and emotions that we ourselves have when capturing an image. It's difficult, isn't it?

First of all, we can't transmit an emotion that we don't have. If we go around with our camera and just shoot what we think it's nice to choose a good one later we can get some good pictures. But, if we go for what we want or if we go around and find exactly what we need, if we enter into communication with the environment and with what we want to portray, for example: an animal, if we get really involved with what we are capturing, then we get great photographs. However, even though I believe that this way of working can be learned, personally I consider it requires an innate personal condition of the photographer. We can all learn about everything, much more if we strive, but we also have personal skills that lead us to be better in one area or another. 

We have Carter Spade's works as an example of this. You feel close to the image as if you were there and as if you could touch it. As he says: "I want the viewer to feel the connection to the animal or place that I felt at the time that sparked me to take that photo. I try to find an angle that makes the viewers feel like they are seeing it for themselves.", and he always gets it. He's an animal lover (even his work is not limited to that), and we can really feel that those eyes on the image are watching us, and we can feel that connection of which he speaks about as if we were there. Therefore, although the technical and specific issues of photography are very important, not least is to convey feelings to the viewer. Click on the images to enlarge them and know more about Carter Spade and his wonderful style and photographs, you can also visit his site www.spadephoto.com .

Brushstrokes's Importance

I could have called this post "How to find your style in oil or acrylic...", but it's actually applicable for different techniques.

Artists sometimes think too much about brushstrokes, so much that they lose spontaneity, and it's not pleasant to see a non spontaneous painting, which has been too thoughtful, as if the hand had not known exactly what to do in each case. Others, try to make the brushstroke not to be noticed as if they were afraid of mistaking. All these is normal when we start to learn how to do things, but it's clealy shown in the final artwork.

Talking about this, there is a style that stands out by the force and the thickness of the stroke, without being impressionist, that plays with lights and shadows in such a way that the elements seem to shine from the canvas, almost as if it were a 3d effect. Obviously, only a very experienced hand can do this, taking the eye of the viewer to the whole work and giving it a relief that it still don't have.

It is surprising how this type of work, even without being realistic, may look like that providing an interesting visual game that leads us to complete the missing blur.

Therefore, it is important that we don't hesitate in every brushstroke, that our mental object can be represented by our hand beyond the hyperealist vision without losing the accuracy of what we want to show. Sometimes this takes months, other years, it all depends on how much we practice and how much we let ourselves go with regard to our own vision of things. We don't have to fear or hesitate when painting since sometimes it's better to make mistakes and learn from them than have lot of shy arts from which we learned nothing. 

As an example of this kind of artworks, I want to show you Samantha Black's ones. Currently, she basically works with oil and acrylic and she always knows how strong, thik, clear or dark the stroke has to be in order to give the viewer the perfect idea of what she wants to show. Click on the images to enlarge them and see her work on detail, you'll find she developed other styles with great skill to represent beauty as well. 

Beauty and Innocence

Hello my friends! Today I want to talk about Ashley Gore and her artworks. I use to give some advices and tips and then put an artist as an example, but this time I prefer talking about this artist since her work caught my attention in more than one sense. 

As you can read in her site: http://agore72185.wixsite.com/ashleyartgallery , she has a disease that she struggles with every day and which could be an obstacle for anyone but she decided to do something positive about it. What calls my attention the most in addition to the brave way she faces life it's how she transmits it through art. When we see her works, mostly made in acrylic, the first thing that comes to our mind is an innocent style that looks at life with a very particular candor. 

Her work is soft, delicate, feminine, with subtle lines and colors that celebrate life. Her works have a distinctive but not overwhelming symbolism, which leads us to see beyond the simple elements. In many of her works this artist seems to have a close relationship with nature, in how it is modified and what can affect it. She eliminates some superfluous elements of realism to add her own that give us a more intense vision of what she wants to express, such as a particular use of light that takes our eye to the right place, close-ups that indicate its importance and the playfulness between colors and lines.

Likewise, at some point she secretly reveals her pain, not as a complaint, but as a simple commentary on life which makes it even more revealing. In her work "She's gone" (you can find it below), for example, in that case she has an impressive creativity to show a fact of life (which can touch both physically and emotionally) from a symbolic and even surreal point. I do not like comparisons, but seeing that work reminded me Frida Kahlo's works in which her pain showed itself openly and not, since the beauty of the composition could only lead us to empathy. 

As I always say, I admire artists who go beyond, those that a flower is not simply a flower but rather says something else, who show us a series of colors that is not a simple composition for the visual but also for the spirit. 

I invite you to click on the images to enlarge them and know more about Ashley Gore, you can find her on facebook as well: https://www.facebook.com/AshleyGallery/ .

What we see and what we get

Many people who want to devote themselves to photography or just enjoy making photos don't know that what we see is not always what we get as a result. Some have the ability to see something simple and make it extraordinary while others sometimes fail to capture the best picture of what their eyes see.

We must transform our eyes on lens, we need to understand what will be the vision of our camera.

I will show you some simple tips that some may consider obvious:

- We have a beautiful landscape in front of us, but it can be rebutted if we take it completely. Which is the most attractive frame of all we see with our own eyes? So, pay attention to the capture that has the best composition of elements.

- We may have found the shot that best represents what we want to show, but has this the proper light? Maybe there's another shot that doesn't have such a good composition but whose light causes a more attractive effect.

- When it's about moving objects, that's one of the most difficult kind of photographs. The shot can't be before or after what we need, besides that it must be a clear and accurate capture and not a blur one.

- Be focused... (yourself, not just the camera).

We find many beautiful pictures that actually  could have been wonderful if the photograper had taken into account a few details.

Today, I want to show you Chandra Nyleen's work. This artist shows us how to take the details into account for a perfect picture. She has many photographs in movement that excellently capture the scene, as well as different landscapes which she has managed to make the most.

Click on the images to know more about Chandra Nyleen. You can also see her works at : http://1-chandra-nyleen.pixels.com/index.html

When the magnificence of nature is shown through a camera

We have a camera and the desire to capture beautiful images but that is not enough. There are many ways to take pictures, and those who do not perform this task in a professional way can consider that it is easy, but it's not...

We can gather 100 people with the same type of camera in the same place and none of them will take exactly the same photograph. It's about "eye", talent and creativity. Some photographs not only show the object that has taken the camera but beyond, they pick something that goes beyond words and explanations and that is inherent in what has been achieved through the image, a particular image that is different though thousands have seen it before, because it has its own soul. 

Some photographers specialize basically in nature, everyone can take a picture of a flower or an animal, but some of these specialized photographers have the ability to show it splendidly, simply through the eye of their camera, their own eye, which can see what nobody else can.

There are photographers who make art and are able to show nature in all its magnificence as no one else can do it. Capture the beauty and complexity of nature requires great sensitivity and only a true artist can do it.

Today, I want to show you Evie Hanlon's work. She is an Australian photographer and artist that delights us with her wonderful photographs that capture the essence of what she wants to show. She is a true artist who shows her vision of nature beyond what the simple eye can see.

You can click on the images to see her complete gallery, and I suggest you to pay attention to her drawings as well, which have a magical touch.

If you want to know more about Evie Hanlon you can visit this link: http://www.redbubble.com/people/eviehanlon?ref=account-nav-dropdown